Year | Publication | |
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2015 | A Vision (1937), Volume 14 of The Collected Works of W. B. Yeats.
Harper Margaret Mills and Catherine Paul (2015) A Vision (1937), Volume 14 of The Collected Works of W. B. Yeats. New York: Scribner. [Details] |
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2008 | A Vision (1925), Volume 13 of The Collected Works of W. B. Yeats.
Harper Margaret Mills and Catherine Paul (2008) A Vision (1925), Volume 13 of The Collected Works of W. B. Yeats. New York: Scribner. [Details] |
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2006 | Wisdom of Two: The Spiritual and Literary Collaboration of George and W. B. Yeats.
Harper Margaret Mills (2006) Wisdom of Two: The Spiritual and Literary Collaboration of George and W. B. Yeats. Oxford: Oxford University Press. [Details] |
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2001 | Yeats’s “Vision” Papers, Volume 4.
Harper Margaret Mills, Harper George Mills (2001) Yeats’s “Vision” Papers, Volume 4. London: Palgrave Macmillan. [Details] |
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1990 | The Aristocracy of Art: James Joyce and Thomas Wolfe.
Harper Margaret Mills (1990) The Aristocracy of Art: James Joyce and Thomas Wolfe. Baton Rouge: Louisiana State University Press. [Details] |
Year | Publication | |
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2014 | '‘The clock has run down and must be wound up again’: A Vision in Time'
Harper Margaret Mills (2014) '‘The clock has run down and must be wound up again’: A Vision in Time' In: Yeats and Afterwords. South Bend, Indiana: Notre Dame University Press. [Details] |
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2012 | 'Reflected Voices, Double Visions'
Harper Margaret Mills (2012) 'Reflected Voices, Double Visions' In: Yeats’s A Vision: Explications and Contexts. Clemson, South Carolina: Clemson University Digital Press. [Details] |
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2011 | '‘The Real Thing’: Ní Chuilleanáin and Mattering Bodies'
Harper Margaret Mills (2011) '‘The Real Thing’: Ní Chuilleanáin and Mattering Bodies' In: Irish Women Writers: New Critical Perspectives. Bern: Peter Lang. [Details] |
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2010 | 'George Yeats'
Harper Margaret Mills (2010) 'George Yeats' In: W. B. Yeats in Context. Cambridge: Cambridge University Press. [Details] |
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2005 | 'Yeats and the Occult'
Harper Margaret Mills (2005) 'Yeats and the Occult' In: The Cambridge Companion to W. B. Yeats. Cambridge: Cambridge University Press. [Details] |
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2003 | 'Our Lives with Yeats’s Ghosts: The Writing and the Editing of the Automatic Script'
Harper Margaret Mills, Barbara J. Frieling and Sandra L. Sprayberry (2003) 'Our Lives with Yeats’s Ghosts: The Writing and the Editing of the Automatic Script' In: Yeats: An Annual of Critical and Textual Studies. Ann Arbor, MI: UMI Research Press. [Details] |
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2002 | 'Celestial Bodies: Sexual Cosmologies and a Collaborative Vision'
Harper Margaret Mills (2002) 'Celestial Bodies: Sexual Cosmologies and a Collaborative Vision' In: Yeats Annual. London: Palgrave. [Details] |
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1997 | 'Yeats's Religion'
Harper Margaret Mills (1997) 'Yeats's Religion' In: Yeats: An Annual of Critical and Textual Studies. Ann Arbor, MI: UMI Research Press. [Details] |
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1997 | 'Sisters, Outsiders, Histories: First Principles and Last Things in Boland and Lorde'
Harper Margaret Mills (1997) 'Sisters, Outsiders, Histories: First Principles and Last Things in Boland and Lorde' In: Representing Ireland. Gainesville: University Press of Florida. [Details] |
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1997 | 'Fabric and Fame in the Odyssey and ‘Penelope’'
Harper Margaret Mills (1997) 'Fabric and Fame in the Odyssey and ‘Penelope’' In: Gender in Joyce. Gainesville: University Press of Florida. [Details] |
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1996 | 'Bread and Wine, Coke and Peanuts: Teaching Sacramental Feasts'
Harper Margaret Mills (1996) 'Bread and Wine, Coke and Peanuts: Teaching Sacramental Feasts' In: Pedagogy, Praxis, Ulysses. Ann Arbor: University of Michigan Press. [Details] |
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1994 | '‘Taken in Drapery’: Dressing the Narrative in the Odyssey and ‘Penelope’'
Harper Margaret Mills (1994) '‘Taken in Drapery’: Dressing the Narrative in the Odyssey and ‘Penelope’' In: Molly Blooms: A Polylogue on “Penelope” and Cultural Studies. Madison: University of Wisconsin Press. [Details] |
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1994 | 'Twilight to Vision: Yeats’s Collaborative Modernity'
Harper Margaret Mills (1994) 'Twilight to Vision: Yeats’s Collaborative Modernity' In: Irishness and (Post)Modernism. Lewisburg, PA: Bucknell University Press. [Details] |
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1991 | 'The Message is the Medium: Identity in the Automatic Script'
Harper Margaret Mills (1991) 'The Message is the Medium: Identity in the Automatic Script' In: Yeats: An Annual of Critical and Textual Studies. Ann Arbor, MI: UMI Research Press. [Details] |
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1988 | 'The Medium as Creator: George Yeats’s Role in the Automatic Script'
Harper Margaret Mills (1988) 'The Medium as Creator: George Yeats’s Role in the Automatic Script' In: Yeats: An Annual of Critical and Textual Studies. Ann Arbor, MI: UMI Research Press. [Details] |
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1983 | 'Versions of History and Brother to Dragons'
Harper Margaret Mills (1983) 'Versions of History and Brother to Dragons' In: Robert Penn Warren’s “Brother to Dragons”: A Discussion. Baton Rouge: Louisiana State University Press. [Details] |
Year | Publication | |
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2011 | '‘a form created by passion to unite us to ourselves’: The Masks of Pizzorno and Yeats'
Harper Margaret Mills (2011) '‘a form created by passion to unite us to ourselves’: The Masks of Pizzorno and Yeats'. International Political Anthropology, 3 :191-200 [Details] |
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2010 | 'Flesh and Bones: Anne Enright’s The Gathering'
Harper Margaret Mills (2010) 'Flesh and Bones: Anne Enright’s The Gathering'. South Carolina Review, 43 :74-87 [Details] |
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2007 | ''how else could the god have come to us’?: Yeatsian Masks, Modernity, and the Sacred'
Harper Margaret Mills (2007) ''how else could the god have come to us’?: Yeatsian Masks, Modernity, and the Sacred'. Nordic Irish Studies, 6 :57-72 [Details] |
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2004 | 'An Interview with Michael Longley'
Harper Margaret Mills and Michael Longley (2004) 'An Interview with Michael Longley'. Five Points: A Journal of Literature and Art, 8 (3):57-71 [Details] |
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2004 | 'Interview with Michael Longley'
Harper Margaret Mills (2004) 'Interview with Michael Longley'. Five Points: A Journal of Literature and Art, 8 (3):57-71 [Details] |
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2002 | 'Nemo: George Yeats and Her Automatic Script'
Harper Margaret Mills (2002) 'Nemo: George Yeats and Her Automatic Script'. New Literary History, 33 :291-314 [Details] |
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1997 | 'The Authoritative Image: Yeats’s Singing School'
Harper Margaret Mills (1997) 'The Authoritative Image: Yeats’s Singing School'. Studies in the Literary Imagination, 30 (2):105-118 [Details] |
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1997 | 'An Interview with Eavan Boland'
Harper Margaret Mills and Eavan Boland (1997) 'An Interview with Eavan Boland'. Five Points: A Journal of Literature and Art, 1 (2):87-105 [Details] |
Year | Publication | |
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1987 | 'Of Time and the River: The Problem of Authority'
Harper Margaret Mills (1987) 'Of Time and the River: The Problem of Authority' The Thomas Wolfe Review, 11 (2) :1-6. [Details] |
Year | Publication | |
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2011 | Irish Literature: Feminist Perspectives, ed. Patricia Coughlan and Tina O’Toole, and New Contexts: Re-Framing Nineteenth-Century Irish Women’s Prose, ed. Heidi Hansson.
Harper Margaret Mills (2011) Irish Literature: Feminist Perspectives, ed. Patricia Coughlan and Tina O’Toole, and New Contexts: Re-Framing Nineteenth-Century Irish Women’s Prose, ed. Heidi Hansson. Book Review [Details] |
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2007 | Joyce and Reality: The Empirical Strikes Back, by John Gordon.
Harper Margaret Mills (2007) Joyce and Reality: The Empirical Strikes Back, by John Gordon. Book Review [Details] |
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2000 | Greek and Hellenic Culture in Joyce, by R. J. Schork.
Harper Margaret Mills (2000) Greek and Hellenic Culture in Joyce, by R. J. Schork. Book Review [Details] |
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1999 | A Yeats Dictionary: Persons and Places in the Poetry of William Butler Yeats, by Lester I. Conner.
Harper Margaret Mills (1999) A Yeats Dictionary: Persons and Places in the Poetry of William Butler Yeats, by Lester I. Conner. Book Review [Details] |
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1997 | Yeats’s Worlds: Ireland, England and the Poetic Imagination, by David Pierce.
Harper Margaret Mills (1997) Yeats’s Worlds: Ireland, England and the Poetic Imagination, by David Pierce. Book Review [Details] |
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1997 | The Collected Letters of W. B. Yeats, Vol. 3 (1901–1904), ed. John Kelly and Ronald Schuchard.
Harper Margaret Mills (1997) The Collected Letters of W. B. Yeats, Vol. 3 (1901–1904), ed. John Kelly and Ronald Schuchard. Ann Arbor, MI: Book Review [Details] |
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1996 | The Collected Works of W. B. Yeats, Volume XII: John Sherman and Dhoya, ed. Richard J. Finneran, and Volume VI: Prefaces and Introductions, ed. William H. O’Donnell.
Harper Margaret Mills (1996) The Collected Works of W. B. Yeats, Volume XII: John Sherman and Dhoya, ed. Richard J. Finneran, and Volume VI: Prefaces and Introductions, ed. William H. O’Donnell. Book Review [Details] |
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1995 | Aesthetic Autobiography: From Life to Art in Marcel Proust, James Joyce, Virginia Woolf and Anaïs Nin, by Suzanne Nalbantian.
Harper Margaret Mills (1995) Aesthetic Autobiography: From Life to Art in Marcel Proust, James Joyce, Virginia Woolf and Anaïs Nin, by Suzanne Nalbantian. Book Review [Details] |
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1995 | The Girl Image as Subtext in James Joyce’s “A Portrait of the Artist as a Young Man,” by Klára Weiss-Balla.
Harper Margaret Mills (1995) The Girl Image as Subtext in James Joyce’s “A Portrait of the Artist as a Young Man,” by Klára Weiss-Balla. Book Review [Details] |
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1995 | Gender and History in Yeats’s Love Poetry, by Elizabeth Butler Cullingford.
Harper Margaret Mills (1995) Gender and History in Yeats’s Love Poetry, by Elizabeth Butler Cullingford. Book Review [Details] |
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1994 | Yeats and Artistic Power, by Phillip L. Marcus.
Harper Margaret Mills (1994) Yeats and Artistic Power, by Phillip L. Marcus. Book Review [Details] |
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1993 | Yeats and English Renaissance Literature, by Wayne K. Chapman.
Harper Margaret Mills (1993) Yeats and English Renaissance Literature, by Wayne K. Chapman. Book Review [Details] |
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1993 | Yeats and Postmodernism, ed. Leonard Orr.
Harper Margaret Mills (1993) Yeats and Postmodernism, ed. Leonard Orr. Book Review [Details] |
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1993 | The Collected Works of W. B. Yeats, Volume XII: John Sherman and Dhoya, ed. Richard J. Finneran.
Harper Margaret Mills (1993) The Collected Works of W. B. Yeats, Volume XII: John Sherman and Dhoya, ed. Richard J. Finneran. Book Review [Details] |
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1992 | All Contraries Confounded: The Lyrical Fiction of Virginia Woolf, Djuna Barnes and Marguerite Duras, by Karen Kaivola.
Harper Margaret Mills (1992) All Contraries Confounded: The Lyrical Fiction of Virginia Woolf, Djuna Barnes and Marguerite Duras, by Karen Kaivola. Book Review [Details] |
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1991 | Abortion, Choice, and Contemporary Fiction: The Armageddon of the Maternal Instinct, by Judith Wilt.
Harper Margaret Mills (1991) Abortion, Choice, and Contemporary Fiction: The Armageddon of the Maternal Instinct, by Judith Wilt. Book Review [Details] |
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1991 | Swan and Shadow: Yeats’s Dialogue with History, by Thomas R. Whitaker.
Harper Margaret Mills (1991) Swan and Shadow: Yeats’s Dialogue with History, by Thomas R. Whitaker. Book Review [Details] |
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1988 | Look Homeward: A Life of Thomas Wolfe, by David Herbert Donald.
Harper Margaret Mills (1988) Look Homeward: A Life of Thomas Wolfe, by David Herbert Donald. Book Review [Details] |
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1988 | Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe, ed. Margaret W. Ferguson, Maureen Quilligan, and Nancy J. Vickers.
Harper Margaret Mills and Timothy J. McNiven (1988) Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe, ed. Margaret W. Ferguson, Maureen Quilligan, and Nancy J. Vickers. Book Review [Details] |
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1987 | Thomas Wolfe Interviewed: 1929–1938, ed. Aldo P. Magi and Richard Walser, and Mannerhouse: A Play in a Prologue and Four Acts, by Thomas Wolfe, ed. Louis D. Rubin, Jr., and John L. Idol, Jr.
Harper Margaret Mills (1987) Thomas Wolfe Interviewed: 1929–1938, ed. Aldo P. Magi and Richard Walser, and Mannerhouse: A Play in a Prologue and Four Acts, by Thomas Wolfe, ed. Louis D. Rubin, Jr., and John L. Idol, Jr. Book Review [Details] |