It has been argued that past
critique of GDR literary and cinematic work has over-emphasised analysis of
socio-political content and function to the detriment of any in-depth
exploration of broader aesthetic concerns. This study responds to this charge
in seeking a more balanced critical approach to two highly politicised works
which challenge their respective genre boundaries through innovative use of narrative
device, cinematic technique and humour.
Kurt Maetzig’s film, Das Kaninchen bin ich, and the novel by
Manfred Bieler which inspired it, became emblematic of the opportunities for
imaginative and outward-looking, yet politically committed, film-making and
literature which were severely threatened, as almost a full year’s production
of DEFA films was publicly denounced and withdrawn at the infamous 11th
Plenary in 1965. The study demonstrates how a more balanced analysis of
content, function and aesthetics can facilitate a deeper appreciation of the
interplay between these three elements and ultimately underline the lasting
significance of such artistic works.