Arguably one of those to engage most intensely and personally with the events of autumn 1989 was the GDR mathematician and writer, Helga Königsdorf (1938–2014), not least
in "1989 oder Ein Moment Schönheit", her collage of letters, poems and texts published in 1990, where she seeks to represent, and engage critically and honestly with, the myriad of thoughts, emotions and experiences
generated by the "Wende", the fall of
the Berlin Wall and the ultimate move towards the dissolution of the GDR.
In the foreword to her collection, the author argues for an appreciation of the
uniqueness of the moment, of the human experience, and the creativity it
fosters; all these, she recognises, will inevitably be lost in future
renderings of events: “Die nach uns kommen, werden die Ereignisse historisch betrachten. Sie
werden ihn suchen, den roten Faden durch das Geäst der Zeit. Aber was sie
finden, wird nicht das Eigentliche sein” (p. 5).
Within this chapter, I explore how Königsdorf configures her collage and some of the themes she raises therein: self-expression and creativity, artistic freedom and responsibility, celebration and mourning, human dignity and reason – and I argue that, in its conscious juxtaposition of text-types and themes, the very genre
of ‘collage’ both challenges the normative historiography of events Königsdorf predicts and simultaneously represents in itself a creative historiography predicated on individual experience.